Ghana’s music industry weathered a year of emotional highs and lows in 2025, marked by the loss of several iconic figures but energised by artistes who kept the scene alive with back-to-back hits.
Among the stand-out performers was Black Sherif, whose “Iron Boy” album dominated much of the year.
Artistes such as Fameye, Wendy Shay and Stonebwoy also ignited the music landscape with a string of popular releases, placing many of them in strong contention for the coveted Artiste of the Year prize at the 27th Telecel Ghana Music Awards.
At the centre of the industry’s renewed vibrancy, however, stood King Paluta, whose relentless momentum has placed him among the strongest contenders for the top honour.
With filing for nominations now closed, anticipation is building for what industry watchers expect to be one of the most fiercely contested editions in recent years.
The previous ceremony ended in a tight race, with King Promise narrowly edging out King Paluta and other contenders for the ultimate prize.
Despite missing out, King Paluta responded with an even more commanding presence in 2025, tightening his grip on the music scene through a steady pipeline of chart-friendly releases and high-profile performances across Ghana and abroad.
Once celebrated as New Artiste of the Year, he spent 2025 shedding the “rising star” tag and embracing a new identity many fans have christened “the Hit Machine.”
His April 2025 single “Foko” became a household anthem, dominating TikTok trends and smashing streaming milestones across multiple platforms.
The viral success of the track set the tone for what would become his most commercially successful year to date. He followed up with a string of releases, including “Thank You,” “Asikyire,” “Between Me and God” and “La Vida Loca,” each earning strong airplay and climbing streaming charts.
It was, however, his December release, “Ewor Me,” featuring Highlife icon Kwabena Kwabena, that capped off the year.
The collaboration quickly gained traction, breaking into major playlists and extending the rapper’s momentum into 2026.
By the close of 2025, King Paluta had surpassed 33.5 million YouTube streams and ranked as the fourth most-streamed Ghanaian artiste on Audiomack, underscoring his dominance in an increasingly digital music economy.
His influence extended beyond streaming platforms. King Paluta mounted some of the biggest stages on the circuit, including a headlining slot at the Afrofuture Festival, one of the continent’s most prominent music showcases.
His local footprint also expanded significantly, with performances in Sunyani, Bogoso, Nkoranza, Nsawam, Sefwi Asawinso and Ejisu, where he drew enthusiastic grassroots audiences.
Internationally, he broadened his reach with shows in Germany, Spain, the United Kingdom, Belgium and the United States, introducing his distinct Asakaa-influenced style to migrant communities and new listeners.
Collaborations further defined his 2025 run. His appearances on Joyce Blessing’s “Unchangeable Jesus,” Takyi Kay’s “Free Your Mind,” Ratty Ghana’s “Happy Day” and Efya’s “Catch the Feelings” expanded his cross-genre appeal and reinforced his versatility.
Whether King Paluta ultimately clinches the 2026 Artiste of the Year title or not, his prolific output and sustained media presence over the past year have firmly positioned him as one of Ghana’s defining musical forces.
